Friday, December 31, 2010

The candles are for Lennon


John Lennon would have turned 69 years old this week. I.e., if he was not shot dead by a fan of dementia. Commemoration of the sixtieth birthday, Julian Lennon, son of John, with plans of Mike Mayor of Liverpool, has organized a campaign of lighting a candle. This unit not only symbolizes birthday of former Beatle, but more about promotion on humanitarian issues.

You may remember that Lennon career began in the 1960s, while he was performing in clubs in Liverpool and Hamburg. For three years, the group then five members Beatles carved slowly the name in the music scene. The five became four because the original bassist, Stuart Sutcliffe, who died from brain hemorrhage. It was in 1962, when he formed the Quartet of John Lennon, Paul McCartney, George Harrison and Ringo Starr. Later that year, the Group impeccable achieved their first success in the United Kingdom with their song "Love Me". And as they say, the rest is history.

The English band all became a worldwide phenomenon by writing songs really wonderful, great music and chart-topping sales record after another. Apart from their music, the Beatles became icons of fashion trend setter and became also social influence. Until this day, the Beatles is still considered one of the most successful bands and well known of all time.

But all great things must come to an end. After the record album and concerts around the world, ended Beatlemania. Controversy has to do with it and the now infamous line of Lennon, saying that "the Beatles is more popular than Jesus" has come to a stop. Since 1970, the Quartet ex officially disbanded as everyone has released the solo albums.

Ten years later, the front-man and music-genius John Lennon was shot and killed in New York.

And after almost two decades since the Beatles has taken the world by storm, their music and influence lives. And to mark another giveaway in the name of John Lennon is the campaign of candle light. With his music as big as his legacy, humanitarian and peace promotion should be easy. Light a candle and say a little prayer for him and for peace on this planet.

Candle Light can symbolize many things. This week, offer the organic candles, soy candles and candles also virtual in honor of the birthday of John Lennon. Keep the fire burning and not just imagine a world in peace. Rather, take part in achieving the objectives. Shouldn't be hard.








Krystal Bennion loves writing and writes about anything.


Beatles Top 20 hits


The premier rock group formed in Liverpool, England in the late 1950s. When they started, the Beatles went under names like The Quarrymen, Johnny and the Moondogs, The Rainbows and the Beatles Silver, before settling on the Beatles in 1960.

The original lineup consisted of John Lennon, Paul McCartney, George Harrison, Stu Sutcliffe and Pete Best. In April 1961, Sutcliffe left the Group and died of a brain hemorrhage, a year later. Better left in 1962 and was replaced by Richard Starkey, aka Ringo Starr.

From here, the Group remained, until Paul McCartney announced their breakup on April 10, 1970. The Group was managed by Brian Epstein, who died of an overdose of sleeping pill in 1967 and were produced by George Martin.

The tour in the United States first Beatles came in February 1964. It was also the year that they won the Best New Artist Grammy. Earned even best of the Foundation in 1972. In 1968, became the owners of an Apple record label.

Have appeared in the films "A Hard day's night" in 1964, "help!" in 1965 and "Magical Mystery Tour" in 1967. The entries Are also provided in 1968 cartoon "Yellow Submarine".

According to Billboard magazine, The Beatles topped charts singles twenty times and has made the Top 40 weekly, forty-nine times, between 1964 and 1976. The artist closer to come into this record is Elvis Presley, who went to # 1 eighteen times. Below are the Beatles 20 greatest successes, all number one. Many Beatles B-sides also cracked the top 40 and are duly observed.

1. Hey Jude-1968-the song number one of 1968 and the b-side, "Revolution" going to # 12 on charts weekly.

2. I Want To Hold Your Hand-1964-The Beatles U.S. before hitting with the b-side "I Saw Her Standing There" even going Top 20.

3. Get Back-1969-featured this shot and Billy Preston on the b-side "don't let Me Down".

4. can't buy me love-1964

5. Yesterday-1965-this song makes sense to have more than 2,500 registered versions of it.

6. I Feel Fine-1964-the b-side of this song, "she's a woman" went to # 4 on the charts weekly.

7. help! -1965-this song is the title song of the film of the same name. The film "help!" was originally titled, "Eight arms to Hold You."

8. We can Work It Out-1966-the flip side, "Day Tripper" went to # 5. Stevie Wonder took a cover of the song to # 13 in 1971.

9. Hello Goodbye-1967

10. She Loves You-1964-"Lieb Dicht", the German version of the Beatles of this song also hit the Billboard charts in 1964.

11. Let It Be-1970-the title song from the film documentary.

12. Night of a Hard Day-1964-another title, this one song by The Beatles first film.

13. Paperback Writer-1966-the b-side, "Rain" was # 23 about charts weekly.

14. The Long And Winding Road-1970-also from the documentary film "Let It Be" and the Beatles the last # 1 single.

15. Eight days a Week-1965-"I don't want to Spoil Party" was the b-side of this hit single and just cracked the weekly Top 40.

16. Come together-1969-the flip side of this single, "something" went to # 3 download rankings.

17. Love Me-1964-this song and the b-side, "PS I Love You" were both recorded in September 1962 and recommended Andy White on drums and just added band member, Ringo Starr on the tambourine.

18. Ticket To Ride-1965-another song featured in the film "help!"

19. Penny Lane-1967-another hit two duplex, this time with "Strawberry Fields Forever" going to # 8 on the charts weekly.

20. All You Need Is Love-1967-with "Baby you're a rich man" as the b-side.

The Beatles were able to crack the Top 10 weekly rankings once more. Six years after the breakup of the band, in 1976 and ten years after the release of their album "Revolver" single, "Got To Get You into My Life" went to # 7.

All four Beatles were songs # 1, after the Beatles were more. The Beatles were inducted into the rock and Roll Hall of Fame in 1988. They will always be known as rock band in the world # 1.








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Top 20 hits by Elton John


Reginald Kenneth Dwight was born in Pinner, Middlesex, England in 1947. In 1966, Elton formed his first band called band bluesology. Band bluesology started visiting U.S. artists of soul, as the Isley Brothers, Billy Stewart and Patti LaBelle and the Bluebelles shoulder.

Furthermore, in 1966, band bluesology became the backing band for Long John Baldry. Actually, it was from this band that Reginald got its name stage taking the names of the members of the band band bluesology Elton Dean and John Baldry.

Elton collaborated with lyricist Bernie Taupin in 1967 in a partnership that continues today. Formed rocket in 1973.

On the big screen, you'll see Elton playing the Pinball Wizard in the film version of Pete Townsend of "Tommy".

Little known fact: Elton plays piano on the hit Hollies 1970, "he ain't heavy, he's my brother."

On the charts, Elton John has had at least one song of Billboard top 40 each year between 1970 and 1990, including seven number one hits. Also had seven consecutive number one album.

Here are twenty largest single hit by Elton John, according to Billboard magazine:

1. What friends are for-1986-last # 1 by Elton single, but his biggest, was a collaboration with Dionne Warwick, Gladys Knight and Stevie Wonder. Proceeds from this song went in AIDS research.

2. don't go breaking my heart-1976-a Duet with Kiki Dee.

3. First # 1 of crocodile Rock-1973-Elton single.

4. Island Girl-1975

5. Philadelphia Freedom-1975-listed as the band by Elton John.

6. Lucy In The Sky With Diamonds-1975-a claim on the label ' Le reggae guitars of Dr. Winston Or ' Boogie "that was actually John Lennon doing backup vocals.

7. Bennie and the Jets-1974-from the album "Goodbye Yellow Brick Road".

8. Goodbye Yellow Brick Road-1973

9. don't Let The Sun Go Down On Me-1974-from the album "Caribou".

10. don't Wanna Go On With You Like That-1988

11. Daniel-1973-by "don't shoot me, I'm only the Piano Player" album.

12. biggest hits of little Jeannie-1980-Elton in four years.

13. I Guess that's why They Call It The Blues-1984-harmonica solo by Stevie Wonder.

14. Someone Saved My Life Tonight-1975-from the album Captain Fantastic and the Brown Dirt Cowboy ", which went to # 1 ranking in the first week album was released.

15. The Bitch Is Back-1974

16. Sad Songs (Say So Much)-1984

17. Rocket Man-1972-a song often compared to David Bowie's "Space Oddity".

18. Candle In The Wind-1987-originally recorded in 1973 for the album "Goodbye Yellow Brick Road", this haunting ballad is registered with the Melbourne Symphony Orchestra and is a homage to Marilyn Monroe. Has sold more than 37 million copies.

19. Sorry Seems To Be The Hardest Word-1976-from the album Blue Moves ".

20. Nikita-1986-featuring choirs from George Michael of Wham! Fame.

Elton John was inducted into the Rock and Roll Hall of Fame in 1994, and he was knighted in 1998.

Billboard rated Elton, in 2008, as the most successful male artist on their list of "Top 100 All Time artists", coming in third, in General, just behind the Beatles and the Madonna.








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Thursday, December 30, 2010

The night that was killed Lennon

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For me it was a Monday night like any other, on which I vividly recall being home watching a football game (of the American variety) on ABC's Monday Night Football between the Miami Dolphins and the New England Patriots and though I do not remember the exact time I know it must have been close to midnight on the 8th of December, 1980. This given the fact that the game was late in to the 4th quarter with the Patriots winning by seven points though the Dolphins, lead by their young quarterback Woodley were heading for what would be a touchdown to send the game in to overtime. It was while the Dolphins were driving up field late in the 4th quarter that Howard Cossell, announced that John Lennon, a name which in all frankness I had never even heard of till that moment; me being 13 at time had been shot while leaving his apartment building, "The Dakota". The Dakota being a building located on the Westside of Central Park on 72nd Street in Manhattan and not far from where I was living at the time with my mother between 81st and 82nd street on Lexington avenue.

I at the time had no idea who John Lennon was though it was announced that he had been a member of a band which had been known as "The Beatles". This a name which I had often heard but never taken any particular interest in along with many other names such as "The Rolling Stones" or "The Who" or "Led Zeppelin". I Naturally at the time wished that this man's life could be saved as I would have done so concerning anybody's life regardless of weather they were famous or otherwise.

I however checked with my grandmother, who was in New York and staying with us at the time if she knew who Lennon was, for above all I knew my grandmother to be a classical music fan and not much of one when it came to pop music or rock music or however one wishes to classify it as. My grandmother, who at the time was 76 actually surprised me by telling me she not only knew who he was, but that she had been to a Beatles concert back in 65 when they played in "Shea Stadium" (then home of the NY Jets and Mets and the place where I saw "The Rolling Stones" in concert in 1989) located in Queens in front of 66,000 people; this being the biggest rock concert at the time. After hearing about my grandmother's experience if one could call it such with not only Lennon but "The Beatles", I told her that John Lennon, had been shot though nothing else was known about it at the time.

I can't say that my grandmother was particularly grief stricken to hear the news though like myself, she never desired to hear that hurt had been caused to anybody so with her words of "I hope he does not die" I left her to go back to my room to continue watching Monday Night Football. As for the game, it actually ended in a draw, which given the rules of American football meant there would have to be sudden death overtime; and this was precisely what I was watching when Cossell announced that Lennon unfortunately had died from gunshot wounds received earlier that evening. It was then that I ran back to tell my grandmother, who I could see was saddened much in the way she had been when Elvis Presley died as her statement "It's a shame, that people feel they have to do such things to one another" indicated.

As for myself, I naturally was saddened by this news but I must say not in a way that was different from any other time when I had heard of tragedy occurring; such as a plane crash or earthquake or something which had been responsible for the loss of life. Regarding the game itself; it finished with the Miami Dolphins winning in overtime. This making me feel just a little better since they were the team I was actually pulling for.

I can not say the death of Lennon personally meant much to me at the time since I practically knew nothing about him; not that it would have made any difference to me if I had since I am not one to mourn the deaths of those whom I do not know personally. As I had for instance the death of my own grandfather, who incidentally had also died in the month of December in the year of 1975. Lennon's death however did help to augment my curiosity in learning about him much in the way Mercury's death 11 years later increased my nephews curiosity to find out as much as he could about Queen.

I however will never forget the week that followed which in many ways reminded me of the time following Elvis Presley's death; this given the fact that John Lennon's demise was also all over the media, from the newspapers to the TV stations (though not CNN or MTV, as neither had gone on air yet) to the radio stations. It being a case where the last of these could not seem to get enough of playing his songs, weather as a solo artist or while still a member of "The Beatles". It was songs such as "Imagine", "Come Together", "Starting Over" and many others which were among those played but I mention these in particular, given the reason that they were the only ones I knew even if I had been previously unaware that they were Lennon's. "Starting Over" however stuck in my mind for another reason apart from it being the one that had been receiving heavy radio play in the time leading up to Lennon's death, as it was the one my brother-in-law used to wake me one morning when I was sleeping over at his apartment. This I will never forget, it was early Saturday morning and I had spent the night sleeping on the sofa in my sister's living room when all of a sudden I hear, the sound of bells. These bells literally blasting out of the stereo next to me, in what was the introduction to the song "Starting Over".

Actually during the months that lead up to Lennon's death, I had been listening to the radio, just about everyday as I did my homework and found out that I actually enjoyed not only some of the songs, (some only after having heard them many times over) but even the commercials and general atmosphere of radio stations such as ABC and NBC. Regarding radio stations however I particularly recall two DJs by the names of Don Imus and Howard Stern, who caught my attention, specially since they did a morning show which was also promoted by a TV commercial showing people saying "I love "Imus in the morning" ". It was also during this time that I for the first time in my life become familiar with some of the popular songs of the day such as "Another One Bites The Dust" (Queen), "I Love A Rainy Night" (Eddie Rabbit), "Emotional Rescue" (The Rolling Stones), "I Love You More Then I Can I Say" (Leo Sawyer) and many others. Therefore by the time of Lennon's death I had become more familiar with pop music than I ever had which perhaps lead to me taking a bigger interest then I would have if it had happened before the fall of 1980 in which I received my first radio with a built in cassette player.

With regards to TV stations, many took to playing films in which The Beatles had stared in such as "A Hard Day's Night" and "Help" along with many a documentary about not only John Lennon's music (both as a solo artist and a member of "The Beatles") but his personal life. Much of it I noticed concentrated on his personal life, politics and what had been his marriage to Yoko Ono. There is one moment however in all the week that followed the death of John Lennon which will never leave my memory and it came on the first Saturday after his murder; when during the half time of a football game I was watching, the city of New York held a ten minute silence in Lennon's honor. This being even more amazing when one takes in to consideration how when John Paul I died only 1 minute of silence was kept and not even by the whole city of New York. After all Popes, their will be many, even if one rather shaky theory says the world will end after a couple have died, but Lennon in his branch of music like Wagner in his will only be but once.

Looking back it is really incredible to think how John Lennon's death in a way helped bring back popularity not only to The Beatles but that whole era that had been the first British invasion that brought along such bands as The Rolling Stones, The Kinks, and many others. It was as if rock and roll were being given a boost, as many people like myself who had not been either Lennon or Beatles fans suddenly become more interested in this sort of music. I for my part can imagine this is what occurred last year when Pavarotti died; that many people who unlike me were not opera fans for the short time that followed Pavarotti's death became interested in opera. Perhaps even going out and getting a Pavarotti CD or DVD much like people did with Lennon, shortly after his death. Naturally at the time of Lennon's death, there was neither of which as only albums and cassettes were available but I think most people who read this get my general meaning.

By the time of Lennon's death, Rock and Roll however had had many death's in its family which had gained publicity such as Brian Jones 69, Jimi Hendrix 70, Janis Joplin 70, Jim Morrison 71, Keith Moon 78 (who died in the same hotel room as Mama Cass), John Bonham 80, Bon Scot 80, Ellen Naomi Cohen 74 (a.k.a. Cass Eliot) but baring Elvis's death none had received any where near the same amount of media attention. All of which making it clear what had been Lennon's contribution to his gender of music which I must admit is not my favorite as I am one to follow classical music and opera though not to the extent that I am blinded to the quality of other different genders of music. This being the case though I am reminded of something I once heard some one say to Edward Van Halen (guitar player for the group that bears his last name) on MTV which was "music isn't Rock and Roll or Heavy Metal or this kind or that kind but good or bad" only to have Van Halen reply "No, music isn't good or bad, it's something you like or don't like". This comment by Edward Van Halen being the way I see music as opposed to being good or bad, though I must say that I do like some of the music I heard in the field that is rock music that includes many others apart from The Beatles and Elvis Presley.

With regards to John Lennon's death it really was not till Farrokh Bulsara (a.k.a. Freddie Mercury) died on November, 24 that any death in or out of music received so much of the media's attention. This being the case with regards to media attention though perhaps a lot of the coverage received by Mercury was due to the fact that his death was caused by AIDS, which was an even bigger worry at the time then it is today. I for my own do remember feeling some sadness over the death of the "quiet Beatle" George Harrison, who died of Cancer on November 29, 2001, though news of his death was in part drowned out by the events of September. 11 which were still in the media.

The aftermath of Lennon's death I would say brought about a return to rock music which had in recent years been cast aside perhaps by the "disco fever" that erupted after the film "Saturday Night Fever". It was as if Lennon's demise did for Rock and Roll what The Beatles had done for it so many years back in 1964, when they first appeared on the Ed Sullivan show. Rock and Roll was fashionable again and as for me? I can not in all honesty claim to have found in it what I have in classical music and opera (I, being the author of the book "New York's Opera Society") though I did find something of value in it as I have with many other kinds of music. I could even say that it was that time period which followed Lennon's death that inspired me to listen to many a variety of rock band and even attend concerts by Styx, AC/DC, Deep Purple, Rod Steward, Iron Maiden (on two occasions), Pearl Jam, David Lee Roth, Ian Gillan and The Rolling Stones.








My name is Gianni Truvianni, I am an author who writes with the simple aim of sharing his ideas, thoughts and so much more of what I am with those who are interested in perhaps reading something new. As for the details regarding my life I would say that there is nothing that lifts them above the ordinary. I was born in New York City in 1967 on May 21st and am presently living in Warsaw, Poland where I wrote my first book "New York's Opera Society" now Available on Amazon.


The Beatles ' revolver-a revolution in 1966


The context

It was August 1966. Only 2 and half years since the Beatles first broke onto the scene in the United States with "I Want To Hold Your Hand" and the hysteria accompanying ("Beatlemania.") Since then the Beatles music had is rapidly evolving from their previous pop rock in a rock art more sophisticated.

Rubber Soul

Their latest album was Rubber Soul, which was released in December of ' 65. While these days just 8 months between album release is a short period of time, in those days it was considered a reasonably long time to wait for the world's greatest band to release their next album. Rubber Soul itself was a major step forward from the album before (help!) Included the first use of the instrument on a pop record the Indian sitar ("Norwegian Wood") and is also characterized by texts more introspective (as in "Nowhere Man" and "In My Life") which generally were granted a hearing on their previous albums.

Revolver

While Rubber Soul was a big step forward, revolver was sonically a leap forward. The track more far-sighted was naturally the album closer, "Tomorrow Never Knows" that still sounds like future 42 years later. I'll watch that song more in depth at the end of this article.

While Rubber Soul "Norwegian Wood", which had some sitar on it, "Love You To the revolver" was something else entirely. This song by George Harrison based entirely on Indian instruments that seemed totally unlike anything the listeners of music pop of the time he had ever heard before. In fact, I bet that sounds totally unlike anything more listeners of today's pop music has ever felt too (unless of course you've heard revolver or Sgt Pepper.) "Love" certainly broadened horizons for what might seem a pop record. But it was far from being only about it in this album.

"Eleanor Rigby" features a Quartet of arcs and voice of Paul McCartney. With the poetic texts and unique accommodation, it remains as a classic in popular music today.

"Yellow Submarine" is a song childlike, written by Paul McCartney and sung by Ringo Starr that went on to inspire the characteristic of cartoon of the same name, released in 1968. Is really a strange song, isn't it? This was a great example of Beatles just completely ignoring the rules for which must be the type of songs on an album of folk music.

"I'm only Sleeping" functionality of George Harrison's backwards guitar. I don't know if this is the first song pop to include back the guitar, but it is probably one of the first. Harrison learned to play the melody you want backwards so when inverted you would fit well with the song. Just another example of the Beatles push the envelope in the Studio with their regime.

"Tomorrow Never Knows"

While there are many amazing discoveries in this album, it was said that every song on the album inspired a new genre of sub of rock music, which is "Tomorrow Never Knows" that really stands out as a piece of ground breaking. Surprisingly enough, this was the first song recorded for the album (in April 1966, John Lennon wrote in January of ' 66.)

All about this song by texts is the song writing at its disposal for the production was very experimental. The vocals were laid through a Leslie speaker to get a vibrato effect. This was the first time that such an effect was used. The texts are based on The Psychedelic Experience from Timothy Leary (and that the book was based on the Tibetan Book of the dead). The song featured very inventive use of tape loops, reverse reverse drums, guitar and many more sonic explorations. Another unusual on the song is that the song is almost entirely played on a rope. This was probably influenced by Indian music, which often is played so.








Click here: The Beatles

Classic Albums & Songs


Wednesday, December 29, 2010

Take time to appreciate life around you


If you think that every day is a great day test go without one. ~ Jim Evans

We pass by unexpected wonders every day. More our concerns distract, is harder to notice these wonders. We live in a time of growing concern for the money, investments and possessions. What will become of us?

Writing these words reminds me of how I felt about life in 1965. For many people that year was like many others, nothing special. For me it was like jumping off a cliff, feel the wind quickly from my face, and I have no idea where he would land.

I had just left a monastic existence. repaired Each meal appeared before me at the time appointed. I have not had any wallet or bank account, much less money and not care. Survival, basic needs and make a living never interested me.

Now the survival seemed my challenge. Within days, I realized that I had lost my religious deferment. Wait for me were the border of the project and the prospect of bringing a pistol in Viet Nam, rather than a rosary in the cloister.

Panic seized me quickly and I hit my lack of viability of the square in front. While I was writing in the previous paragraph, my radio started playing Imagine by John Lennon. While the fear expressed in all our news surround us as an angry sea, the possibilities suggested by John Lennon bob in the ocean, ready for us to reach out and grab them.

Now they are in uncharted waters as I was in 1965. Still afraid not sticking to me. I can see, hear, taste, smell and touch the wonders of life. How is this possible?

Our world is not terminated. Is simply changing. Time to get all they want is coming to an end. The old American dream is now clearly a fantasy, at least for the foreseeable future. Our hypothesis on the endless riches are rapidly disappearing.

Some people are likely to continue having much more than the others will be zero to survive and they need. Perhaps our current crises are a challenge to our nation. Maybe it's time to reassess our priorities.

It may be possible for us to think about each other as part of a community of care rather than competitors to be beaten while we grasp what we want? Some people already live in this way. Perhaps you, or know someone who does. What would the world be if we all had as much concern for each other as we do for ourselves?

John Lennon does not offer any formulas or quick solutions. He invited us to imagine what the world might be like if we mutually treated differently. Perhaps it would make us all good to turn a blind eye to our fears if only for a moment, be thankful for what we have and use our imaginations for what could be.

Lab life lessons

As you are Thankful for your luck?
Attention to the good things that come your way.
Try writing what makes grateful every morning.
Let your imagination out play at least for a while.
Find a place for imagination in your daily life.








Joseph g. Langen is the author of CommonSense Wisdom for everyday life, young tissue, Shepherd's Life hell and navigation: CommonSense reflections for the trip. He also distributes a newsletter on topics of common sense wisdom, sliding Otter News. Read more about his writing and publishing through publications of sliding Otter:

http://www.slidingotter.com
http://www.commonsense-wisdom.blogspot.com
Contact him at: jlangen@slidingotter.com


They do not face more singers like that!

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Thomas Edison made the first recording of a human voice on December 6, 1877, but he did not record a singer. The first great singer to be recorded was Enrico Caruso, and he made over 250 sound recordings. There may have been singers prior to Caruso who were even better virtuosos but we have no way of knowing that because sound recording is the definitive judge of a singer's ability. In recording studios, it has often been said that "tape don't lie". Even the best recording engineers cannot make a good singer sound like a great singer. Skipping briefly through the jazz era, a few great singers who deserve honorable mention are Billy Holiday, Al Jolson, Ella Fitzgerald, Nat King Cole, Bing Crosby and Tony Bennett. The concept of what constitutes a great singer is subjective, but the key qualities a great singer must possess are range, timing, phrasing, pitch, timbre, emotional impact and originality of style.

Elvis Presley was the first great rock and roll singer. His first hit record in 1954 entitled That's All Right was a blues song written by Arthur Crudup and it proved that Elvis had a unique quality in his voice. Songs like Jailhouse Rock and All Shook Up demonstrated that Elvis was the epitome of rock and roll, and songs like Are You Lonesome Tonight and Can't Help Falling in Love showed the world that Elvis could put the emotion of love into a vocal track with intense male sexuality. With one of his last blazing bursts of energy in 1972, Elvis proved that he was still a hunk-a hunk-a Burning Love during his twilight years. Elvis can be credited for breaking down the racial barrier that existed for black singers within the record companies in the 1950's. Little Richard said, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music." Elvis opened many doors. He let Pandora out of her box and girls all over the country began to scream at the very sight of Elvis. Much has been written about the King of Rock and Roll and his impact on our culture, but the focus of this article is on a unique vocal quality that has not received attention. Elvis pioneered many instantly memorable vocal mannerisms that shall hereinafter be collectively referred to as the rock and roll vocal schtick. It is possible that Elvis picked up his vocal schtick from Otis Blackwell, the songwriter who wrote many of Elvis' early hit records, because Otis sang his original songs on the demos that Elvis listened to and Otis originated much of the phrasing that Elvis recorded. But much water has passed under the bridge since those days and we may never know whether the Memphis chicken's schtick preceded the Otis egg.

The word "schtick" is derived from a Yiddish word and it refers to various bits of business that cause an entertainer to be instantly memorable. Prior to Elvis introducing the concept into rock and roll, it was very common in the movie business for actors to achieve fame by virtue of their schtick. Jack Benny became notorious for being stingy and a bad violin player even though in real life, he tipped lavishly and he was an expert violin player. Groucho Marx had his stooped strutting, his lascivious eyebrow raising, and his cigar. Elvis had his gyrating hips and his out of control, shaking leg, but he also put a new kind of mannerism into his singing. On All Shook Up, he turned "Mm mm mm, oh oh oh, yeah yeah yeah!" into a memorable chorus, predating the Beatles famous yeah yeah yeah's by about 10 years. Predating Elvis by four years, Fats Domino had already developed his signature vocal style by the time he hit the R & B charts in 1950 with The Fat Man which sold over a million copies. One year after Elvis opened the door with That's All Right, Fats crossed over into the mainstream with Ain't That a Shame in 1955, and soon millions of people found their threeee-ill on Blueberry heeee-ill. That there is rock and roll vocal schtick in a nutshell, and countless singers picked right up on the groove.

In the 1950's, original vocal styles literally oozed out of the radio every day. Tony Williams, the lead singer for The Platters, was a truly great singer who had it all - range, timing, phrasing, pitch, timbre, emotional impact and originality of style. As a professionally trained singer, Tony was able to express the emotional essence of previously recorded songs like Smoke Gets in Your Eyes with professional style and grace, but he also influenced the new rock and roll vocal style. In the number one selling hit record, Only You, Tony could have sung the words "Only you can make this change in me" using straightforward and traditional phrasing, but instead he sung "cand-a make this change in me" and threw in a bit of schtick. Marty Robbins and Ben E. King were also two seminal rock and roll singers who embodied all the qualities that define a great singer.

There were many other outstanding singers during the 1950's but the most sublime singer of them all was Smokey Robinson. In addition to every other quality previously discussed, Smokey sang complex blues melismas as if God told him the secret and said "Smokey, you will make everybody think this is easy." Nobody can sing like Smokey Robinson, nobody can duplicate his vocals, and when Linda Ronstadt recorded her version of Ooh Baby Baby, she had to white out his melismas because she had too much sense to even try to duplicate him. Buddy Holly, among his many achievements, may be credited for introducing the hiccup into rock and roll vocals (fantastic schtick). But the award for Most Outrageous Rock and Roll Schtick of All Time goes to Little Richard for "a wop-bop-a-loo-mop alop-bam-boom" and his earth shaking, high pitched woo's that Paul McCartney duplicated with enormous commercial success. Other great primal rock and roll singers of the 1950's who deserve Most Honorable Mention include Roy Orbison, Brenda Lee, Del Shannon, Jimmy Jones, Frankie Valli, and the list goes on and on.

The great singers of rock and roll peaked during the 1960's and 1970's with John Lennon and Paul McCartney, Mick Jagger, Jim Morrison, and Janis Joplin. Robert Plant's 12 year career with Led Zeppelin began with the band's formation in 1968 and continued until John Bonham's death in 1980. That fatal day may have been the turning point in the history of great rock and roll singers because even though some very good singers achieved fame and success after 1980, none are in the same exalted league with the Great Ones. Discussing each of the great singers could generate an entire article for each one of them, but suffice it to say that history has already passed judgment on them and declared their venerable status. In terms of the key vocal qualities defined in the first paragraph of this page, Stevie Wonder and Aretha Franklin must also receive honorable mention. But in terms of the sheer number of hit records and brilliant vocals that incorporate all the qualities of a world class singer, Paul McCartney is arguably the best rock and roll singer of all time. It's always nice to end a treatise with a provocative pronouncement like that one, and then to immediately disappear into oblivion before anyone can throw a tomato.








Peter Cross is a singer/songwriter/producer/Web Master. You can find this article at: They don't make singers like that anymore! and his home page at: Rock and Roll with an Immortal Soul. The "best of? Peter Cross CD is entitled A Hard Day at The Orifice. All work protected by Library of Congress Registration No. TXu1-257-177.